Sally Lacock Jewellery
London-based jeweller Sally Lacock considers botanical growth and renewal to create delicate jewellery. She makes seed-like charms using recycled sterling silver, melting down and reusing remnants from the process to reduce waste.
London-based jeweller Sally Lacock uses a sterling silver chain and a 23ct gold-plated bead to create this seed necklace, which draws on botanical themes of growth, with a focus on renewal. Shaped with a smooth, charm suspended from the curb-link chain, then finished with a coordinating T-bar clasp.
Details
Sterling silver with 23ct gold plated seed. Store in acid free tissue in a soft cotton bag in moisture free environment. Gently clean by soaking in tepid water with some mild liquid soap and dry thoroughly. To remove tarnish clean gently with a non abrasive silver polishing cloth.
Made in the United Kingdom.
42cm in length.
Delivery & Returns
Free standard delivery on full price orders over £125.
Standard Delivery: £3.00
Express Delivery: £5.00
Next Working Day Delivery: £7.00
Before 12pm Next Working Day Delivery: £13.00
Free returns (subject to our returns policy).
£3 returns charge on sale-only orders.
Please refer to our delivery & returns policies for more information.
Reviews
In the Studio with Sally Lacock
In her home in east London, jeweller Sally Lacock has carved out a serene studio space. It used to be a lodger's bedroom, but has now been reclaimed as a peaceful place of creativity, looking out onto the garden. It’s remarkably tidy. A linen-covered board is punctuated by tiny fragments of branches, unfurling wood shavings, shells buffeted by the sea, found images, and strings of vintage glass beads. Each is arranged with precision and darted with a slender pin, held indefinitely, preserved in a moment in time.
Tools are lined up, rows of hammers collected from antique fairs and markets, ready to be used by Sally to make her jewellery. Each piece – all crafted from sterling silver, some with 24kt gold-plated accents – is inspired by the idea of capturing natural objects suspended in time. “I want to capture fleeting moments in the cycle of nature,” Sally explains. “I’m interested in growth and decay, the dichotomy of strength and fragility.”