Hand dyed and hand woven ikat, with checks of resist ikat throughout. Soft and slightly slubby. Comfortable cotton wadding. Quilted on both sides. For kitchen chairs, the garden bench or as you will.
Details
Dry clean. 100% cotton outer, 100% cotton wadding.
Made in India.
40 x 40cm.
Read more about the Making of Ikat.
Delivery & Returns
Free standard delivery on full price orders over £125.
Standard Delivery: £3.00
Express Delivery: £5.00
Next Working Day Delivery: £7.00
Before 12pm Next Working Day Delivery: £13.00
Free returns (subject to our returns policy).
£3 returns charge on sale-only orders.
Please refer to our delivery & returns policies for more information.
Reviews
Cotton Care Guide
Cotton is a versatile, comfortable and breathable fabric and is easy to look after. At TOAST, we love cotton for its ability to take dye and retain bright colours and intricate prints.
Obtained from the fibres surrounding the soft seed pods of the cotton plant, cotton is a natural and biodegradable fibre that has been used since antiquity. The fibres are cleaned and spun into threads before being made into a variety of fabrics, from denim and corduroy to poplin and twills.
How to wash
Cotton can be washed at 30 degrees in the machine with similar colours. Try to wash your cotton less frequently to maintain the shape, colour, and quality of your garment.
How to dry & store
Reshape your garment whilst damp by holding the side seams together and shaking. Cotton is best dried flat or hanging to prevent the need for ironing. If an item requires ironing, then it is best to do so whilst slightly damp or using the steam setting.
Hang your cotton clothes away from direct sunlight to prevent fading.
Ikat
Ikat is an age-old technique of patterning cloth. The word itself derives from the Malay-Indonesian ‘mengikat’, meaning to tie or bind.
The making of the pattern consists in the precise tying and dying of the threads before weaving. It’s a process demanding skill, patience, organisation and precision yet its beauty, antithetically, lies in the impossibility of perfect execution and the consequent hazy, slightly blurred edges of the motifs.