When it comes to books, we all have our favourite tropes and our pet peeves. Sometimes they aren’t that dissimilar, but it’s all in the execution. For instance, I love a tense story where characters dance around each other, unsure how to broach a subject, feeling stuck. However, I do not like it when characters misunderstand or miscommunicate with each other repeatedly throughout a novel. I get it; we need the occasional point to be misconstrued to move the plot along, but I also need to believe what’s happening. If a situation could be easily fixed by someone saying a sentence or two, and they choose not to, time and time again, I’m afraid you’ve lost me. It is, as with most writing, a balancing act, a fine line. Here are two books that fall on the right side of this line.

Wet Paint by Chloë Ashby is an emotional tornado of a novel. It’s about a young woman called Eve, who has recently lost her best friend Grace, and is holding it together just fine, thank you very much. She’s serving food to customers she hates, she’s broken ties with her toxic father, and she’s taken up therapy, by which she means she visits the same painting at a gallery every week. However, when one of the restaurant customers touches her inappropriately in front of everyone, and she slaps him in response, her actions are punished, his are not, and she defiantly quits her job.

This chain of events mirrors other sequences in this book, where men do not apologise for, or even acknowledge, their behaviour, and women are expected to absorb these shockwaves through some form of osmosis. Eve is struggling with this pressure to make herself small. She storms into her favourite gallery, not wanting to look at paintings depicting religious figures with her namesake, as she doesn’t want to be confronted with herself. Instead, she finds solace in A Bar at the Folies-Bergère by Manet, a portrait of a barmaid who reminds her of her friend Grace, who has passed away. This portrait, like Grace, can’t talk back. Barmaids, like both of them, are expected to be a cheerful, listening ear – serving other people, not themselves.

Almost in a bid to become this painting, Eve simultaneously accepts a bar job and takes up life modelling. The title of the novel, Wet Paint, reflects Eve’s form – she’s not finished yet. She’s evolving, melting, a shape in motion. She exists in one way for us on the page, and in an endless number of other ways on the canvases spread out across the art room. She wanders between these renditions of herself, trying to pinpoint who she is, and where she should be going.

Things We Do Not Tell the People We Love by Huma Qureshi is a textbook example of characters misunderstanding each other in believable ways. It’s a collection of short stories about family members and friends whose expectations of each other are in constant flux. My favourite tale is ‘Summer’, where a woman called Reem invites her mother on holiday to France with her husband and children. She does this accidentally, during a phone call where her mother is praising other people for being in her life more than her daughter and, feeling guilty, Reem finds herself asking her to pack a suitcase and join them.

Of course, it’s a set up for disaster. Every time Reem sees her mother, she convinces herself it will be different to the time before; that they won’t argue or dredge up unpleasant memories; that Reem won’t feel as though she’s being judged for the way she parents; that she’ll, in turn, somehow have more patience for her mother. The story feels like an airport, with time behaving in mysterious ways, nothing feeling quite real, and the story builds into this crescendo ending that I will never forget.

Both Wet Paint and Things We Do Not Tell the People We Love are compelling artistic impressions of the worlds we live in, and the silence we create for ourselves when everything becomes a little too loud.

Jen Campbell is a bestselling author and disability advocate. She has written ten books for children and adults, the latest of which is The Sister Who Ate Her Brothers. She also writes for TOAST Book Club.

Images courtesy of Jen Campbell.

For a chance to win a copy of Wet Paint by Chloë Ashby, please comment below to let us know your thoughts.

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Wet Paint sounds great, I love the idea of a character using a painting as therapy

Fiona 2 years ago

I was in the same cohort as Chloe at Faber Academy and was privileged to read some of the early drafts. She is a fabulous writer who really evokes the emotional truths within Eve and by association Grace – they mirror the experiences of so many people, both in the present day but also emotional realities running through time. I would heartily recommend reading this book to anyone – I already have my copy.

Alison 2 years ago

I’m intrigued…great review of Wet Paint ,can’t wait to read it.

Dianne 2 years ago

It’s great to hear about new authors and your reviews are longer than usual which helps with deciding to read or not. I want to read them both!

Alyson 2 years ago

Wet Paint sounds fantastic! I’m researching the life model in fiction – can’t wait to read this.

Kat 2 years ago

That continual struggle to be one’s true self and not pander to other people’s expectations is always fascinating. Even at the age of 66 I’m still wibble-wobbling – perhaps anyone who says they aren’t is deluding themselves.

Vanessa 2 years ago

My therapy is a wander around an art gallery on my own. I breathe differently throughout the trip and can’t wait to read Wet Paint.

Elaine 2 years ago

What a great review. The comment of “the silence we create ourselves” really resonated with me.

Miki 2 years ago

I’m dying to read Wet Paint. When is the US release?

Jana 2 years ago

Adding both to my TBR! You have put into words what I do not like about books that have people misunderstanding each other for no reason! A lot of the time this is why I’ll stop watching a TV show or put a book down because why won’t they just communicate!!

Melissa 2 years ago

I really love the imagery that Eve’s form is like wet paint. Unfinished. I often feel like wet paint

Kristen 2 years ago

Oh these sound great and I totally agree about that particular trope! I have a love/hate relationship with the miscommunication trope too, it can be so relatable when it’s done well

Emma 2 years ago

I really enjoyed the short story collection by Huma Qureshi and your description of it is so apt. Keen to check out Wet Paint as well. It sounds very interesting!

Varsha 2 years ago

They both sound so interesting. Discussions on the service industry and gender are so important, so I would love to win a copy of Wet Paint.

Fiona 2 years ago

Ashby’s book sounds fantastic!! If I had it in my hands yesterday it wouldn’t have been soon enough. Great reviews, Jen

Laura 2 years ago